The warrior king Rama is banished by his evil stepmother … Beginning her career as a sculptor, she has transitioned to the medium of photo-performance. Courtesy of Bose Pacia Gallery, n.Y., and artists. These shows are, by all means, a re-edit and a reinterpretation of history and mythology. © 2023 by NOMAD ON THE ROAD. Ramayana Stories in Modern South India. Comme Cindy Sherman, l'artiste indienne, photographe et cinéaste, Pushpamala N. se met en scène sous diverses identités, soit pour illustrer les rôles sociaux d He kidnaps Sita but is killed by Rama, who is ultimately destined to rule. These oleographs were very popular and continued to be printed in thousands for … She lives and works in Bangalore and New Delhi, India.  GALLERY NATURE MORTEA1 NEETI BAGH, NEW DELHI 110 049 INDIAOFFICE: (91) 11- 2956-1596 GALLERY: (91) 11-4174-0215 [email protected] / www.naturemorte.com Press Release PUSHPAMALA N.: “Avega -The Passion”Opening on Friday, April 6th from 6 to 8pm. Pushpamala’s performative photography and videos sometimes function as a kind of installation, where the exhibit may resemble a film or theatre museum or even a movie theatre. She has competed for Sri Lanka in rifle shooting at three Olympics (1992, 1996, 2004), and has won a gold medal with fellow shooter Malini Wickramasinghe in the air rifle pairs at the 1994 Commonwealth Games in Victoria, British Columbia, Canada. Type C print on metallic paper. ), Many Ramayanas: The diversity of a narrative tradition in South Asia, Berkeley, Los Angeles and Oxford: University of California Press, 1991, p. 46. There is a narrative, a set and a protagonist, which is mostly played by the artist herself. 1 José Veloso Salgado (1864-1945), Portugal.The Arrival of Vasco da Gama (1898) oil on canvas. It is at once clear, from the red walls and the dominance of women in the works, that this is a show charged with a lust for power soaked in a whole lot of oestrogen. Pushpamala N. 87. The (real) lily pads further contribute to the disorientation, hovering like dull, flat shadows in contrast to the two luminous faces and the glitter of Ravana’s garment on the glassy surface of the pool. A.K. On Day 2 of the Amrita Shergill art week, a slide lecture by Pushpamala N held the audience in thrall. Du 1er mars au 20 avril Deuxième exposition personnelle en France, à la galerie Zürcher, de Pushpamala N. (née en 1956), artiste originaire de Bangalore où elle vit. ARTINFO selects a video work by Pushpamala N., Indrajaala/Seduction, as a highlight of the show. Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. Avega: The Passion presents several chapters based on the national Indian epic, The Ramayana. Paper size: 20×24 inches. Then there is The Arrival of Vasco da Gama, a contemporary take on Orientalist and colonialist perceptions of the East: essentially, how Europe, through the arrival of da Gama, views the feudal societies of the East. Born 1956, Bangalore, India Lives and works between Bangalore and New Delhi, India Pushpamala N has carved a niche for herself in the international art circles. Gitanjali Dang. She is an ‘auteur’; shaping the work of many hands while firmly remaining author of her imagery. Her work has been described as performance photography, as she frequently uses herself as model in her own work. Born in Bangalore, 1956, Pushpamala N has been called “the most entertaining artist-iconoclast of contemporary Indian art”. On Day 2 of the Amrita Shergill art week, a slide lecture by Pushpamala N held the audience in thrall. 4 Walter Benjamin, ‘A small history of photography’, in One way street and other writings, translated by Edmund Jephcott and Kingsley Shorter, London and New York: Verso, 1997, pp. En neuf images, la vidéaste et photographe Pushpamala N., née en 1956 à Bangalore, en Inde, nous embarque dans l’épopée du/ Ramayana/. While some religious texts may remain static over time, the Ramayana epic has been retold in a variety of ways over the centuries and across South Asia. Pushpamala N performs the gestures to investigate femininity and its portrayal in contemporary India by seeking out how women would enact these highly codified gestures today. A curator, writer and researcher based in Mumbai, Dang founded itinerant arts lab Khanabadosh in 2012. Contact me for more information. In contrast to the common knowledge of Sita’s vulnerability at abduction, familiar from Valmiki’s classic narration of the epic, Ravana and Sita exist together here in a space of reverie. ... Pushpamala N. – Avega – The Passion (Abduction) Du 1er mars au 20 avril 2013 Du mardi au samedi, de midi à 19h. Pushpamala N., Lady in the Moonlight (Raja Ravi Varma recreation) Saved by abhilasha sancheti. The oleographs produced by the press were mostly of Hindu gods and goddesses in scenes adapted mainly from the Mahabharata, the Ramayana and the Puranas. Pushpamali Ramanayake (born 25 December 1967 in Colombo) is a Sri Lankan sport shooter. Vivan Sundaram. 1 Michel Foucault and Jay Miskowiec, ‘Of other spaces’, Diacritics, vol. Written by Vandana Kalra | Updated ... Kaikeyi and Surpanakha from Ramayana, and The Arrival of Vasco da Gama (2014) was based on an 1898 oil painting by Jose Veloso Salgado, that saw Pushpamala play her first male role as the navigator, with artist friends in the tableau. Courtesy of Bose Pacia Gallery, n… Pushpamala N is a photo and video performance artist who is the protagonist of her own elaborate compositions, exploring the medium in various ways to document ethnographic prototypes. Ramayana StoRieS in mode Rn South ... n A Sto R ie S in m od e R ... Women of South India: Manners and Customs,” by Pushpamala n and Clare Arni. In the short film the artist plays the role of Surpanakha, the demoness from the Ramayana whose passion causes conflict between two brothers. While the artist’s self becomes distributed and re-assembled as myth, the camera breaks the mythic surface into an uncanny array of competing references. On the one hand, in a mirror we see ourselves where we are, in fact, not, ‘in an unreal, virtual space that opens up behind the surface’. The series Avega - The Passion, by Indian artist Pushpamala N. is currently on display at the Nature Morte Gallery in New Delhi. Photo: S.R. ‘The Passion’ takes a sideways look at the place of women in this ideal state. We depend on your support to keep creating our programs, exhibitions, publications and building the amazing portrait collection. In Order to Join- curated by Swapnaa tamhane and Susanne Titz, Max Mueller Bhavan nad CSMVS Mumbai. 114. For Pushpamala N the process of creation is multifaceted, involving her in all aspects of what have become increasingly complex theatrical tableaux. Exhibition continues to Saturday, April 28th, 2012. Jodi Throckmorton With Atreyee Gupta, Latika Gupta, Susan Krane, and Raqs Media Collective Postdate Photography and Inherited History in India San Jose Museum of Art in association with University of California Press contents Postdate: Photography and Inherited History Published in association with Front cover: Pushpamala N. and Clare Arni, Introduction susan krane 7 in India … Need to cancel or rejig? Pushpamala uses her own body to perform different roles in these series, which draw from the imagery of popular culture, mythology and historical references from India and elsewhere, using humour, wit and a sharp critical gaze to look at contemporary society. Set in fantasy environments, fateful incidents from the epic are played out on a spectacular stage with elaborate costuming and lighting to create powerful atmospheres. Pushpamala seems to read the world like a “complex and stratified, open and enigmatic” literary work that she makes up as she weaves her way through a mysterious urban territory where, right down to the flow of the images, we find the “halting” nature of the City according to Benjamin, like a succession of paintings put together with brushstrokes. In the series ‘Avega — The Passion’ (2012), she explored the characters of Sita, Kaikeyi and Surpanakha from Ramayana, and The Arrival of Vasco da Gama (2014) was based on an 1898 oil painting by Jose Veloso Salgado, that saw Pushpamala play her first male role as the navigator, with artist friends in the tableau. Few know its meaning. They mock her and when she lunges at Sita, Lakshmana cuts off her nose and ears. The warrior king Rama is banished by his evil stepmother Kaikeyi, who wants her son to rule the kingdom. Mount Holyoke College, United States. Pushpamala N is basically saying: it isn’t the story, it’s how you tell it. Ticketed entry is in place to safely manage your visit so please book ahead. When picked up or dragged by the demon, the artist’s body recalls prints by the nineteenth-century artist Raja Ravi Vama, whose compositions in turn reflect Western history paintings. Pushpamala’s photographic works are usually created as series, some the artist refers to as projects, others as ‘photo-romances’. Pushpamala N is a indian contemporary artist and indian contemporary photographer presents indian paintings and sculptures, digital photography and indian contemporary paintings. Avega~ The Passion ( 2012) The Passion explores the characters of three women from the Indian epic Ramayana, as archetypal figures. Vernissage le 1er mars. Indrajaala/Seduction is part of the series Avega – The Passion shown in 2012 at Nature Morte, New Delhi 1, Spring 1986, p. 24. This exhibition examines the representation of the self in current South and Southeast Asian art practice through the work of artists from India, Indonesia, Malaysia, Pakistan, Philippines and Thailand. In one image the body arches limply towards the picture frame, as in Henry Fuseli’s Nightmare, combining desire and terror into what can be called a little death (petit mort ). Pushpamala N. is a photo and visual artist based in Bangalore, India. Everything else in the photograph puzzles. I went through that. Pushpamala N., photo and visual artist, during an interaction in Chennai. In her recent body of works exhibited at Nature Morte, New Delhi, “Avega – The Passion”, Pushpamala N. selects three women from the Ramayana as the exemplar of Indian culture and society. Pushpamala N herself stars in key moments in the Avega. 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